The prompt for this project was to create a sculpture based on a memory and scent. I couldn't document the smell, but it was a mix of faux apple pie aroma contrasted with the scent of molding and fresh apples used during the performance. All structures are sewn and stuffed, with wooden armatures for the tables and sink, creating an overall vague and wonky depiction of a kitchen as reflected in an old memory. This was originally designed to be displayed in a single room with only the light of the candles illuminating the figures.

This kitchen was used for a performance (not recorded) where the actor cut three apples, and after tasting each one, threw them onto the ground. The final apple was cut and “served” to the audience on the small table in the front, as the actor stepped and crushed the apples on the ground.

The interpretation of this piece is mostly up to the viewer, but my original idea was to show the labor of love in a domestic setting, as well as stepping into the role of a caregiver. The crushed apples and dirtied environment are seen throughout the process of the performance, in contrast to the final product being meticulously cared for. Though the violence and struggle of caring aren't always visible, it was meant to be seen in this piece. The idea of female expectations as a caregiver is also reflected in the sewing process of creation and the actual concept of a kitchen. The uncanny and sloppy performance, lighting, and shape of the structures themselves contrast with how I don't always feel myself following “traditional” feminine expressions.

2023 // Muslin, foam, apples, stuffing // Varying dimensions

Check below for a video tour of the installation and images.